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The Irresistible Fairy TaleThe Cultural and Social History of a Genre$
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Jack Zipes

Print publication date: 2012

Print ISBN-13: 9780691153384

Published to Princeton Scholarship Online: October 2017

DOI: 10.23943/princeton/9780691153384.001.0001

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Fairy-Tale Collisions, or the Explosion of a Genre

Fairy-Tale Collisions, or the Explosion of a Genre

Chapter:
(p.135) 7 Fairy-Tale Collisions, or the Explosion of a Genre
Source:
The Irresistible Fairy Tale
Author(s):

Jack Zipes

Publisher:
Princeton University Press
DOI:10.23943/princeton/9780691153384.003.0007

Two major tendencies in fairy-tale re-creations and collisions have been observed in the past decades. The first tendency is called remaking and re-creating classic tales. The second tendency is referred to as conflicted mosaics, consists of paintings, sculptures, and photographs that draw on an assortment of fairy-tale fragments to evoke a sense of wonder, if not bafflement. This chapter explores the significance of the two tendencies in fairy-tale collisions with a focus on the recent 2012 exhibit Fairy Tales, Monsters, and the Genetic Imagination, held at the Frist Center for the Visual Arts in Nashville, Tennessee. It also comments on the works of many other talented artists who have been experimenting with the fairy tale along the same lines.

Keywords:   fairy tales, fairy tale re-creation, exhibits, classic tales

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