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Reflections on the Musical MindAn Evolutionary Perspective$
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Jay Schulkin

Print publication date: 2013

Print ISBN-13: 9780691157443

Published to Princeton Scholarship Online: October 2017

DOI: 10.23943/princeton/9780691157443.001.0001

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Development, Music, and Social Contact

Development, Music, and Social Contact

Chapter:
(p.140) Chapter 6 Development, Music, and Social Contact
Source:
Reflections on the Musical Mind
Author(s):

Jay Schulkin

Publisher:
Princeton University Press
DOI:10.23943/princeton/9780691157443.003.0007

This chapter examines normal neonatal orientation to sounds as well as developmental disorders that affect musical sensibility, including Williams syndrome, a form of hypersocial expression coupled with a liking for music. It first explains how a sense of music begins very early in infancy, noting that the discrimination of pitch and other perceptual capabilities are expressed within the first year of life, events believed to be fundamentally linked to social capabilities. It is the social world, gaining a foothold in the life of others, which makes this knowledge essential. Rhythmic engagement also begins in infancy, generating movement. This musical expression is linked to affective needs and diverse forms of social contact. The chapter proceeds by discussing hypersocial and hyposocial behaviors among individuals with Williams syndrome, along with the evolution of social behavior that underlies musical expression. Finally, it considers epigenetic events and lifelong learning changes in relation to music.

Keywords:   sounds, developmental disorders, musical sensibility, music, Williams syndrome, social contact, epigenetic events, lifelong learning, hypersocial behaviors, hyposocial behaviors

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