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Reflections on the Musical MindAn Evolutionary Perspective$
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Jay Schulkin

Print publication date: 2013

Print ISBN-13: 9780691157443

Published to Princeton Scholarship Online: October 2017

DOI: 10.23943/princeton/9780691157443.001.0001

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Music and Dance

Music and Dance

Chapter:
(p.156) Chapter 7 Music and Dance
Source:
Reflections on the Musical Mind
Author(s):

Jay Schulkin

Publisher:
Princeton University Press
DOI:10.23943/princeton/9780691157443.003.0008

This chapter explores the relationship between music and dance. The human condition is linked to music and dance, and the range of human emotional expression is fundamental in this regard. Susanne Langer, a professor of philosophy at Connecticut College, understood that movement and dance are at the heart of music, and that music is at the heart of movement. The chapter first considers the internal clock and cognitive physiology that regulate our sense of movement before discussing the theme of art embedded in experience, with music and dance as fundamental components of that experience. It then examines how music is expanded and tied to meaning, stories, and living experience. It also describes the concept of musement and concludes by suggesting that music and dance co-evolved in contexts of adaptation, human meaning, and social contact; within this is a mixture of what Leonard Meyer called “an aesthetics of stability.”

Keywords:   music, dance, movement, cognitive physiology, art, meaning, musement, adaptation, social contact, stability

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