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Jane Austen, Game Theorist$
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Michael Suk-Young Chwe

Print publication date: 2014

Print ISBN-13: 9780691162447

Published to Princeton Scholarship Online: October 2017

DOI: 10.23943/princeton/9780691162447.001.0001

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Concluding Remarks

Concluding Remarks

Chapter:
(p.228) Chapter Fourteen Concluding Remarks
Source:
Jane Austen, Game Theorist
Author(s):

Michael Suk-Young Chwe

Publisher:
Princeton University Press
DOI:10.23943/princeton/9780691162447.003.0014

This chapter shows that folk game theory can be found in many different places other than Jane Austen's novels and African American folktales. The Rodgers and Hammerstein musical Oklahoma!, for example, demonstrates the strategic advantages of projecting naivety. Ali Hakim, like Brer Rabbit and Emma Woodhouse, illustrates the perils of overstrategicness. Will Parker, like Flossie's Fox and Sir Walter Elliot, reveals how overattention to social status and literal meaning indicates strategic imbecility. Laurey, like Fanny Price, highlights the importance of strategic thinking for a grown woman. Finally, Curly and Laurey, like Austen's couples, show how strategic partnership is a foundation for marriage. The chapter considers some other lessons that we can learn from Austen in terms of economics, the congruence of narrative and social theory, and the connection of human nature and human behavior to music and mathematics.

Keywords:   folk game theory, Jane Austen, novels, African American folktales, Oklahoma, naivety, strategic thinking, economics, human nature, social status

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