This chapter shows that folk game theory can be found in many different places other than Jane Austen's novels and African American folktales. The Rodgers and Hammerstein musical Oklahoma!, for example, demonstrates the strategic advantages of projecting naivety. Ali Hakim, like Brer Rabbit and Emma Woodhouse, illustrates the perils of overstrategicness. Will Parker, like Flossie's Fox and Sir Walter Elliot, reveals how overattention to social status and literal meaning indicates strategic imbecility. Laurey, like Fanny Price, highlights the importance of strategic thinking for a grown woman. Finally, Curly and Laurey, like Austen's couples, show how strategic partnership is a foundation for marriage. The chapter considers some other lessons that we can learn from Austen in terms of economics, the congruence of narrative and social theory, and the connection of human nature and human behavior to music and mathematics.
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