For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times “out of joint,” their political hopes frustrated by a corrupt older generation. This book traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively quoted literary work in Arab politics today. Explaining the Arab Hamlet tradition, the book also illuminates the “to be or not to be” politics that have turned Shakespeare's tragedy into the essential Arab politic ... More

For the past five decades, Arab intellectuals have seen themselves in Shakespeare's Hamlet: their times “out of joint,” their political hopes frustrated by a corrupt older generation. This book traces the uses of Hamlet in Arabic theatre and political rhetoric, and asks how Shakespeare's play developed into a musical with a happy ending in 1901 and grew to become the most obsessively quoted literary work in Arab politics today. Explaining the Arab Hamlet tradition, the book also illuminates the “to be or not to be” politics that have turned Shakespeare's tragedy into the essential Arab political text, cited by Arab liberals, nationalists, and Islamists alike. On the Arab stage, Hamlet has been an operetta hero, a firebrand revolutionary, and a muzzled dissident. Analyzing productions from Egypt, Syria, Iraq, Jordan, and Kuwait, the book follows the distinct phases of Hamlet's naturalization as an Arab. The book uses personal interviews as well as scripts and videos, reviews, and detailed comparisons with French and Russian Hamlets. The result shows Arab theatre in a new light. It identifies the French source of the earliest Arabic Hamlet, shows the outsize influence of Soviet and East European Shakespeare, and explores the deep cultural link between Egypt's Gamal Abdel Nasser and the ghost of Hamlet's father. Documenting how global sources and models helped nurture a distinct Arab Hamlet tradition, this book represents a new approach to the study of international Shakespeare appropriation.