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Shakespeare's Festive ComedyA Study of Dramatic Form and Its Relation to Social Custom$
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Cesar Lombardi Barber

Print publication date: 2011

Print ISBN-13: 9780691149523

Published to Princeton Scholarship Online: October 2017

DOI: 10.23943/princeton/9780691149523.001.0001

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May Games and Metamorphoses on a Midsummer Night

May Games and Metamorphoses on a Midsummer Night

Chapter:
(p.135) Six May Games and Metamorphoses on a Midsummer Night
Source:
Shakespeare's Festive Comedy
Author(s):

C. L. Barber

Publisher:
Princeton University Press
DOI:10.23943/princeton/9780691149523.003.0006

This chapter examines Shakespeare's A Midsummer Night's Dream. It argues that the whole night's action is presented as a release of shaping fantasy which brings clarification about the tricks of strong imagination. We watch a dream; but we are awake, thanks to pervasive humor about the tendency to take fantasy literally, whether in love, in superstition, or in Bottom's mechanical dramatics. As in Love's Labour's Lost, the folly of wit becomes the generalized comic subject in the course of an astonishing release of witty invention, so here in the course of a more inclusive release of imagination, the folly of fantasy becomes the general subject, echoed back and forth between the strains of the play's imitative counterpoint.

Keywords:   Shakespeare, comedy, A Midsummer Night's Dream, fantasy, imagination

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