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Beyond the BeatMusicians Building Community in Nashville$
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Daniel B. Cornfield

Print publication date: 2015

Print ISBN-13: 9780691160733

Published to Princeton Scholarship Online: October 2017

DOI: 10.23943/princeton/9780691160733.001.0001

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Self-contained, Self-expression

Self-contained, Self-expression

The Transformative Generation of Enterprising Artists

(p.34) Chapter 3 Self-contained, Self-expression
Beyond the Beat

Daniel B. Cornfield

Princeton University Press

This chapter examines the subjective orientations and pathways of an earlier generation of Nashville artists who helped shape the community of Nashville's increasingly entrepreneurial, popular-music musicians. As an artistrtist activist engaged primarily in individual action, the enterprising artist thrives on self-expression, continuous self-instruction in a widening skill portfolio of artistic and support functions, self-promotion, and on maintaining mutually beneficial relations with colleagues. Enterprising artists sustain their ongoing relations with colleagues, as the profiles in this chapter show, by maintaining trusting and equitable, collegial relations, relations that may succumb to interpersonal animosity, rivalry, jealousy, and betrayal. Sociologically, this chapter depicts the subjective orientations toward success, audience, and risk and the career pathways taken by four individual representatives of what is here referred to as the “transformative generation of enterprising artists” of the changing Nashville music scene.

Keywords:   peer mentoring, popular music, musicians, Nashville artists, individual action, collegial interpersonal relations, subjective orientations, enterprising artists, transformative generation

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