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Poetic TrespassWriting between Hebrew and Arabic in Israel/Palestine$
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Lital Levy

Print publication date: 2014

Print ISBN-13: 9780691162485

Published to Princeton Scholarship Online: October 2017

DOI: 10.23943/princeton/9780691162485.001.0001

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Palestinian Midrash

Palestinian Midrash

Toward a Postnational Poetics of Hebrew Verse

Chapter:
(p.141) Chapter 4 Palestinian Midrash
Source:
Poetic Trespass
Author(s):

Lital Levy

Publisher:
Princeton University Press
DOI:10.23943/princeton/9780691162485.003.0005

This chapter turns to the Hebrew poetics of Palestinian Arab writers. It presents a close reading of poetry by Anton Shammas and his contemporaries Salman Masalha and Na'im 'Araidi. It argues that their poetry offers us a different window onto the question of Hebrew writing in a Palestinian hand. It reads their Hebrew verse as a poetics formed between languages, cultures, and national traditions, replacing the hermeneutics of antithesis (Palestinian or Israeli? Israeli or Jewish?) with one of “in-betweenness.” Furthermore, the chapter moves away from debating the identitarian definition of Hebrew to explore the nuanced relationship of Palestinian writers with Hebrew's cultural heritage and with the traditional Jewish modes of reading and interpretation embedded therein. Through an analysis of allusion and metalinguistic discourse in Palestinian Hebrew poetry, it illustrates the intertextual practice called “Palestinian midrash.”

Keywords:   Hebrew poetics, Palestinian Arab writers, poetry, Anton Shammas, Salman Masalha, Na'im 'Araidi, Palestinian midrash

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