This chapter looks beyond the American Civil War to consider the ways evangelical space continued to shape how Americans saw the landscape and themselves in literary realism to the conservation movement. It mentions how Mark Twain became a representative figure of how a secularizing America remained haunted by a sense of sacred presence rooted in the soil itself. It reviews the story about the rise of white Protestant evangelicals within U.S. national culture and how their form of evangelical space became American space by the eve of the Civil War. The chapter explores the ironic story about how evangelical space escaped control as writers and artists from other traditions reconfigured the relationship between landscape representation, media, and the sacred to produce their own apocalyptic geographies. It recounts how William Apess, Frederick Douglass, Phillis Wheatley, Robert S. Duncanson, and Henry Obookiah appropriated and adapted evangelical space.
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